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Lessons on the English Longsword, by Brandon B. Heslop, Benjamin G. Bradak
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Additional Manuscript 39564, Cottonian Titus A XXV, and Harleian MS 3542 are believed to be the only surviving martial arts texts of medieval England. Written before 1500, these rare texts on the art and lore of the longsword have now been transcribed, translated and boldly interpreted for modern students of the medieval combat arts. In Lessons on the English Longsword, Brandon Heslop and Benjamin Bradak combine dedicated scholarship with years of rigorous training to provide the mst complete look yet at the English tradition of the longsword, including:
- Full transcription and translations of the three texts, insights into training methods in medieval England and a useful lexicon of terms
- Detailed photographic interpretations of the texts to serve as a visual reference in the study and application of the art of swordsmanship
- A convincing case for a pan-European art of the longsword, linking the techniques and training of the English tradition with the better-known German and Italian traditions
- Focus on two important aspects of medieval swordsmanship found in the English manuscripts but rarely in the numerous German and Italian sources: set training forms and the facing of multiple opponents
- Sales Rank: #1434975 in eBooks
- Published on: 2010-07-01
- Released on: 2010-07-01
- Format: Kindle eBook
About the Author
A life-long martial artist and bibliophile, Ben "Casper" Bradak has been focusing on the martial arts of medieval/Renaissance Europe for about 10 years. He functioned as a senior instructor in the Association for Renaissance Martial Arts and developed its historical unarmed combatives curricula. He has been instructing in the martial arts for about 16 years; consulted for both film and print; authored articles; run regular classes, seminars, and workshops on both traditional European combative methods and modern self-defense; and instructed combatives to the U.S. Army. Brandon Heslop has been dabbling in the martial arts for the last couple of decades but has solely focused on the Renaissance martial arts since he discovered them eight years ago. In his training in the European sword, he focuses primarily on the longsword, but he has an abiding interest in sword and buckler, dagger, and spear as well. Along with Ben Bradak, he cofounded of the Dragons Tail School of Defense.
Most helpful customer reviews
36 of 42 people found the following review helpful.
problematic
By Midgardarts
At the risk of drawing criticism from the authors, I feel potential readers should know where this book fails to live up to its claims. The book says that it contains a "Full transcription and translations of the three texts" but this is misleading. The authors have not transcribed these texts, they have used transcriptions from previous published sources. Those sources have their own problems and are unsafe starting points for a detailed re-construction. MS Harley is copied, with silent alterations, from the 1901 edition prepared by Alfred Hutton. The transcription of MS Additional is from Russ Mitchell and it is incomplete (those who own the book may have noticed that the 'J Ledall' which gives Additional its common name, does not actually appear in the transcription. That attribution, and three more of the lessons, are missing from Mitchell's transcription which he made from low resolution photocopies made from microfilm). The text from Cotton Titus is more reliable, having come from a PhD student's transcription of the original manuscript in 2003 but it's not perfect and the authors falsely state that the manuscript is in Corpus Christi College Cambridge. The authors have not seen the manuscripts themselves, so they can't be sure that their source texts are accurate, which further undermines the quality of the 'translations.' Those translations are made with very little support from other linguistic sources, and this is extra troubling because many of the terms in these texts only appear, in these texts, in this particular context. For example, the OED definition for a 'hauk' as a type of blow, is based entirely on the appearance of the word in Harley. You can't use your own source as its own definition.
There are other misstatements in fact, perhaps superficial, but still indicative of a lack of care on the part of the authors. George Silver is incorrectly described as a member of the London Masters of Defence (p. 21, note #8). For some reason the photo credits appear to be the BL license numbers instead of the titles and pages of the reproduced works.There is more, but readers may think I'm being pedantic. Although readers of this book should wonder how exactly the authors manage to turn what appear to be one-sided instructions into sequences for an active and patient agent. There are far too many assumptions at work, and often undeclared, in the reconstructions.
If one ignores the tenuous historical basis for the conclusions, the demonstrations and descriptions of the system are clear and intuitive. Readers should have little trouble following the instructions in the system. Heslop and Bradak have certainly spent a great deal of time and effort in building a style that they believe contains a particular 'English' spirit. However, it remains to be proven that this system actually represents the constant of the three manuscripts at the centre of this book.
For readers interested only in the mechanics of a slightly different system of long-sword and staff combat, then this book will please you. If you have any serious interest in the historical roots of these systems, or the peculiar English texts of martial instruction, this book is too problematic a source for anything other than as an example of what not to do with manuscripts.
7 of 9 people found the following review helpful.
Sword lovers
By boopgirl
I bought this book for my husband who is seriously into swords and fencing. I thought it would be a great book to broaden his knowledge base from traditional German and Italian fencing styles. My husband loved it. He said it was well laid out and easy to follow. Plus, it had great visual aids in it. I would strongly recommend this book to anyone who is into fencing and wants to learn more about it.
2 of 5 people found the following review helpful.
Extremely well written book!!!
By C. Alam
As a novice to sword fighting or most combative arts I found the book to be extremely informative. In the first chapter of the book named Breaking the Code, one of the things that stuck with me throughout reading it is that the applications used were tested with martial practicality. Being a person who has been raised with martial arts surrounding me daily as a child and one who practices it now, I felt this was a strong point in the authors favor. Chapter 1 to 3 of the book is excellent for those who have never picked up a sword before or has no prior training. The detail given throughout these chapters were very easy to follow and the visual pictures help the reader immensely. Stances and foot maneuvers are one of the hardest aspects for any beginner to understand with any type of martial arts. I was very pleased to see the visual pictures that clearly show the type of stance that would be needed for a strong base, with a detailed explanation given where the feet are in alignment to the body, and why this stance is important when fighting. There are many more aspects of the book I could list such as the full explanations of the three texts, Manuscript 39564, Cottonian Titus A XXV, And Harleian MS 3542 with detailed insights and the visual techniques shown. Since I am unfamiliar with the background of sword fighting, I will not say much about that aspect, but to me it looks like the book is very comprehensive and gives detailed instructions of how to strike an opponent and why these strikes are effective. It is obvious to anyone that reads this book that the authors are dedicated and passionate about this subject. It is evident that they are life long students and masters of combative martial arts. I would recommend this book as a must read for those who have a desire and passion to learn another avenue of combative arts or if you are just interested in sword fighting. An amazing read.
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